In
this new column we're highlighting an item of 10cc memorabilia. This can
be badges, posters, a piece of clothing or any item other than an audio
carrier. If you have something special in your collection you would like
to write about: your stories are more than welcome.
I can't
remember where I picked this up. It was probably a second hand bookstore
in Amsterdam but wherever it was, I'm happy that I did. I didn't know
anything like this existed and it was only the name "Hipgnosis"
on the cover of the book that I recognised as a "10cc-related"
word. I had just started collecting 10cc in the early 80s and was not
only impressed by their music but also by the original covers that came
with these original albums. And the covers in question were made by "Hipgnosis."
Usually
10cc is not mentioned enough in the books on music or in music documentaries
on television. That's quite amazing considering the impact they've had
on the music and other artists over the years. Reading old articles on
10cc, it seems that generally people did agree they were brilliant but
these days it's a luxury when you find a record shop has given 10cc it's
own tag and they're not placed under the general "T." I rather
like the fact that their success was based on the quality of their music
and their delightful sense of humour and not because they used tons of
make-up that made them easy to spot on a dark country road.
So when
I picked up this book, I was already happy to see a picture of the cover
of "How Dare You." However, turning a few other pages I suddenly
saw this whole section with lots of pictures of the diver and I couldn't
believe they had chosen a 10cc album to describe how they would go about
making a sleeve! According
to Hipgnosis front man Storm Thorgerson they worked on this assignment
from December 1976 until April 1977. In the section "How a sleeve
is done" they explain the different stages of this whole process
on five pages and with 14 illustrations. When 10cc started, it was Johnathan
King who commissioned them and at the time of "Deceptive Bends"
Hipgnosis had already made three of 10cc's sleeves. Apparently, 10cc were
quite happy with them because they again decided to ask Hignosis for "Deceptive
Bends."
10cc had
already come up with a title for the new album. "Deceptive Bends"
was something they had seen on road signs near the studio in Dorking.
When they briefed the people of Hipgnosis they had already composed the
songs "Good Morning Judge" and "The Things We Do For Love."
Another instruction Hipgnosis had to work with was that Eric and Graham
had decided on their image being "romantic and positive."  With
these instructions in mind, Hipgnosis came up with the idea of a diver.
Bends in the road were regarded as too obvious. So was trying to deceive
the viewer with things that were bent but looked straight. The idea is
that the bends are deceiving the diver who starts fantasising. This is
where the romantic and positive image of the new 10cc comes in: the visualisation
of the diver rescuing the one he loves. I hadn't thought of it before
but when I read this I suddenly realised it was a bit like what happens
in "I'm Mandy, Fly Me" (which they probably knew as they had
also made that particular sleeve). The book doesn't say that this earlier
song influenced them though.
When they
had a rough idea of what they wanted to do they took it back to the band.
10cc would either like the idea or dismiss it so for people of Hipgnosis
this was a very important meeting. Fortunately, Eric and Graham liked
the concept although Eric wanted to replace the jetty by a road. As we
all know now he was persuaded by Hipgnosis not to have that changed.
Although
there was pressure from the US to have Eric's and Graham's faces on the
front cover, this idea was dismissed by Hipgnosis and the band themselves
as they had just lost half the band. It would be inappropriate and that's
how they
the girl long enough during the lengthy photo sessions. They also took
pictures of other girls with other dresses. The sky, the jetty and the
divers in the background were added later. The jetty by the way was situated
on the Thames in Hammersmith. On this day they also shot some 35 mm film
just in case material would be need for a TV commercial. I guess thended
up on the back cover. Now that the band agreed with the whole idea, the
time came to actually visualise the whole picture. And as with a lot of
great ideas, it was easier said than done. Apart from technicalities like
the lighting, it proved physically difficult for the diver in the already
heavy suit, to holdat is the footage that we can see on the video of Live
And Let Live (1977).
After the
many photos they took were developed, they started looking for the right
one which was a very difficult process of elimination because there isn't
such a thing as the perfect photograph. That is why so many photos are
taken in the first place, to increase the chance of making one that is
almost perfect... The next step was to put everything together. When they
had composed the whole picture with the diver, the girl and the background,
it was time to decide on the border. The right balance between these two
components had to be found and that turned out to be a pen and ink line
drawing. The colour would be a pale green.
Now everything
had to be ready to go to the printer's and they had to make sure the instructions
for the printer were clear. When they saw the first proof, they did not
like the green border and so that was changed into a maroon one. Then
when the process of printing had already begun, one of the printer's plates
was damaged but they had to be satisfied with a poor result, as time was
running out and the record had to be shipped. However, after 50,000 copies,
they were given permission to have the plate concerned changed and it
was then that the Hipgnosis team was finally satisfied with the result.
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